Showing posts with label AW12. Show all posts
Showing posts with label AW12. Show all posts

Sunday, 31 March 2013

Easter Print Parade

As Easter is the time to indulge in colourfully clad confectionery, I thought I'd put down the calorie laden eggs for a moment and instead wrap myself up in an assortment of attention grabbing, mouth watering printed treats. With an elliptical form nowhere to be seen, my sweet tooth was more than satisfied sartorially with a selection box of recent buys from Trine Lindegaard, Agi & Sam for Tabio and Mohsin Ali. As the sugar rush courses through your veins, press your eye to a kaleidoscope of Kente, Bauhaus and Miami Vice...

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Sweatshirt by Trine Lindegaard, coat by Mohsin Ali, socks by Agi & Sam x Tabio 
and rug from Pendleton.

The starting point for my own little Easter print Parade was Trine Lindegaard's Niable sweatshirt. For SS13, Lindegaard focused on what she does best; exploring new techniques and textile developments. When we visited the Danish-born design talent at her East London studio late last year, Lindegaard simply explained the collection as "a colourful collection that celebrates the traditional craftsmanship of Ghanaian fabric weavers whilst adding some sporty elements and of course, the odd bit of embellishment." The collection evolved from an approach from an West African based charity and an introduction to the wonders of their local weavers. Ultimately, Lindegaard celebrated this great textile tradition whilst breathing fresh life in to their work by mixing it with Western hi-tech materials to achieve a wearable and contemporary collection. My own little piece of Lindegaard's happy union of Kente and sportswear was duly snapped up at 39-39.  The second piece of the print puzzle was a pixelated pick of Agi & Sam SS13. With reworked trippy textiles and reimagined tantalising tat from 80s cop shows, the dazzling design duo delivered one of the real highlights of the inaugural London Collections: Men. The pairs accomplished alchemy of chintz and cheese bubbled throughout the collection's cauldron, from greasy moustaches to popping tailoring to the Tabio collaborated hosiery that peeked through sandals. Seeing the socks on sale at Machine-A, I couldn't help myself. From Miami Vice to the Bauhaus, the print parade marched on with Mohsin Ali. Where Lindegaard and Agi & Sam consistently revel in the worlds of print and colour, Ali is better known for being powered by form, function and fabric. Whilst continuing down his focused and well crafted path, Ali introduced print for the first time for AW12, leaving us dazzled by Josef Albers inspired geometric, Bauhaus style shapes. For me, the double breasted coat completed the look.

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Coat by Mohsin Ali, sweatshirt by Trine Lindegaard, shirt by Dr. Martens, 
trousers by Stephan Schneider, socks by Agi & Sam x Tabio and trainers by Missoni x Converse. 
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Wednesday, 27 March 2013

Details... Fancy pants and battered trainers

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I'm becoming increasingly fascinated with whether or not designers wear their designs and if so, how.   Here's Agi (one half of Agi&Sam, Agape Mdumulla) teaming up a colourful pair of AW12 trousers with well loved Nike's.

Friday, 28 December 2012

All because the man loved...

"We wanted to look at an iconic figure that had a nostalgic retro feeling, that wasn't James bond but had a similar feeling, sensibility and nature. The Milk Tray man was a character that was instantaneously recognisable yet shrouded in mystery and so we wanted to build, update and evolve this character that was assumed rather than known," excitedly purred Amber Siegel as she introduced the autumn/winter 2012 collection of Baartmans & Siegel back in March. From Jules Verne to Blade Runner's Deckard, the design duo have revelled in exploring a character created and established in popular culture and last season they focused their refined menswear eye on the late 1970’s British Menswear and cinema. Resting on Cadbury's iconic Milk-Tray man, his sartorial style and air of mystery provided a sense of playful indulgence, romance and adventure to the accomplished collection. They undoubtedly built, updated and evolved the character and dressed him accordingly in a wardrobe of lux tailored sportswear in a rich and inviting spectrum of blues. It was a coming of age season for the talented twosome. It was one of those collections that left my heart racing, my mind wandering and my wardrobe aching for additions.

After I calmed down, I picked up a few pieces. To combat the blanket of grey drizzle that has refused to leave London for the last few weeks and subconsciously inspired by Grace Coddington's i-D cover, I've been wearing the below coat continuously. All because the man loved... 

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The coat by Baartmans & Siegel worn with shirt by Patrik Ervell, scarf by A Long Time Gone picked up at Anthem, sweatshirt by Christopher Shannon, trousers by Stephan Schneider, socks by Ayame and trainers by Missoni x Converse.
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Saturday, 8 December 2012

Discovering London Cloth Company and Purposeful Activity

Based in the heart of Hackney, the London Cloth Company in a wonderful surprise. Over the last few months, whispers of the existence of this flourishing micro mill located just a short jaunt from my flat have increased to sincere shouts to go and visit it from the likes of S.E.H Kelly and Daniel Jenkins,  both of which use the fabulous tweed that it produces. Having had the opportunity to travel seven hundred odd miles to experience Harris Tweed first hand, falling in with the craft in the process, it would have been ludicrous to fail to hop on the Overground for a few stops. So, as soon as I admired its fruits used in a stunning tobacco wool tweed peacoat, I popped along to explore the goings on behind its unassuming door during a festive open day at the mill last weekend.  

Nestled in a quiet residential area, the workshop is a hive of activity and a treasure trove of machinery. Daniel Harris, the one man-mill behind it all, is part weaver, part engineer. This is his passion, his life. He’s restored old equipment, gleaned advice from masters of the loom and has learnt on the job to develops fabrics for designers, tailors and interested individuals alike. "We prefer not to issue extensive swatch books as we tend to work directly with our customers to create bespoke fabrics," Harris excitedly rolls out as his mind imagines the possibilities. Possibilities that are beginning to be realised as a growing band of designers fall for the charms of his unique mill.

The workshop is home to reclaimed machinery dating from as early as 1850, and includes an ever-growing number of power looms and bobbin winders, and even a warping mill. This gives The London Cloth Company, the capability to facilitate the weaving process from start to finish. "There have been traumatic moments," admit Harris before taking a sip of mulled wine and continuing, "When I was searching for the ideal loom initially, I got a call from a man in Scotland who was retiring, 'Right, you can have it but you've got come and get is soon'. How soon I nervously asked. 'Today' came the emphatic response. Off I went, as soon as I possibly could. We left London at 6am, drove 630 odd miles and arrived at 10pm. Bearing in mind that I'd never seen such a loom in person before, I found them all grinning in the car park, pleased with themselves at taking the machine to pieces. I had to look at a few pictures." Little dampens Harris' passion for quality.

The space is home to a trio of Hattersley looms, the likes of which I've only previously seen in the shed of Donald John MacKay as I experienced Harris Tweed two years ago now, a Frankenstein's monster of a loom built from leftover parts (from the 1920s, the wartime era and the 60s or later) and a three and a half ton, semi automatic beast from Herbert Brown that caused another logistical nightmare. "We had to move this one seven hundred miles. Again, I wanted a slightly smaller one but this beauty was the only one available. It was on the third floor of a mill. I had to hire a crane to lift it out of the building, part of the roof had to removed and it then it had to be broken down into smaller parts to get it to the new home." And what a home. I can't imagine a better guardian than Daniel Harris. Allow me to take you on a little tour of his well crafted world...

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Exploring Daniel Harris' impressive space and snapshots of the weaving process from a pedal powered single loom to a semi automatic monster. 

Used to travelling for my love of documenting craftsmanship, I never dreamt that I would be able to explore and document a flourishing mill located in the heart of my adopted city. As Daniel Harris' vision and capabilities evolve, I'm sure this will be the first of many visits to the London Clothing Company and the hunt begins to find similar individuals located closer to home. Helping me in this search could well be Daniel Jenkins who has just unveiled Purposeful Activity, a considered label made from British materials and with British makers, including London Clothing Company, that will sit alongside his buy from the likes of Lou Dalton, Tender and Baartmans & Siegel. Considering his pursuit of celebrating British menswear, this is a natural and well thought out evolution.

"Time and time again, I was becoming increasingly depressed by the constant chatter that you couldn’t produce unfussy, garments in this country using British materials without having to charge high prices. I felt this to be nonsense. Therefore I decided to show the fallacy of that notion." Jenkins explains. As the first few pieces go live on his site, the British menswear retailer is certainly proving a worthwhile  point.

"I don't want this to become a seasonal fashion label. If we can source a great cloth or come up with an interesting garment then we will put it into production. When it is ready, it'll go online. That's pretty much what happened with Daniel Harris. I happened upon a French blog post about him and thought I would drop him a line. Half an hour later I was stood in the factory and ten minutes after that I had ordered some fabric with no idea what to do with it. To me that's how the best things in business work. Having too much of a plan is a silly idea. It's nice to have an idea but, the ten year business plan idea doesn't apply to fashion. Ten hour business plan more like it. 

The cloth we are working with is exceptional. Same with the shirting. The best thing about both is that they will improve with age and aren't filled with an artificial story. I live - as you know - five minutes from where our cloth was woven. Our first store was about half an hour's drive from where the shirts were sewn. The factory we use in London for tailoring is great, the guys who run it know everything there is to know. Our garments made along side the biggest names."

Having known Jenkins for a number of years now and seen his unwavering support of British menswear, it is a pleasure to see him take it to the next stage. "This is truly a culmination of what we've done for the past five or so years. A chance to show off a different side of the fashion industry that many don't get to see." A side that we love to see. The fact that he was wearing two of the first items under the Purposeful Activity label, the Byron shirt and Nelson Jacket, as we explored Daniel Harris' workshop couldn't have been more perfect and I, of course, had to document it. Also, it was great to see Harris' delight at the sight of his tweed tailored in such a way...

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Daniel Jenkins wearing the Byron shirt in wine Bengal and the Nelson jacket.

Daniel Jenkins has always strived to offer a retail platform for the best of British menswear and the launch of this considered collection of wardrobe staples is a Goodyear welted step forward. This might only be the beginning for Purposeful Activity and I'm keen to see how it evolves as Jenkins uncovers more makers to support and to collaborate with. But more than this, he hopes it will inspire others. I'll leave you with the below war cry.

"I'm amazed by how far British menswear has come but it still has a long way to go. Anything I can do to help I shall. Hopefully this will play a small part in getting the message out that our cloth is great, our factories fantastic and we as a nation are ready and willing to create things which will blow the world away."

Saturday, 10 November 2012

Weekend Reading... Fourth & Main Issue 2

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At the start of the year we were introduced to the creative world of Fourth & Main. The brainchild of Nikhil Adwalpalkar and James Wright, the brand entered the market as a capsule menswear collection and a bi-annual arts and culture publication. The debut issue of its Journal read alongside the considered collection of wardrobe staples was a fine introduction. Now, as the brand settles into its Newburgh Street home, we are treated to the second issue and an AW12 collection that extends their philosophy of fine tailoring with a contemporary twist. 

Sanguinely sidestepping sophomore album syndrome, the creative team closely followed the common thread that bound together their featured artists and their subjects. With a cupped hand held behind the collective ear, they have sought out a spectrum of creatives who march to the beat of their own drum. Whether actors, artists, directors, musicians or writers, the second issue is a celebration of those who tell the stories that are largely untold and help turn our imagination on to a world we crave to know. We hear from Ben Whishaw - one of the most sensitive and gifted artists of his generation, look closely at the work of director Steve James, marvel at Turkish Photographer Pinar Yolacan's latest series and get a little closer to the enigmatic talent of Money...

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A few pages that caught my eye.

Picking up where the debut issue left us, issue two of Fourth & Main's Journal is a considered curation of the voices that should be heard, ideas that should be explored and tales that are all too easy to get lost it.

Saturday, 3 November 2012

Studio Sounds: Agi&Sam AW12

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Cover art by Little Doodles

Thanks to their penchant for clashing and layering print upon print, Agi&Sam once again opened my mind to print possibilities for AW12. Despite the name being something of a mouthful, 'Darwin's Theory of Why The Chicken Crossed The Road,' the tale behind the collection itself is a simple one. The dyanamic design duo have travelled to the future just before the Apocalypse in fact, where the last men alive on Earth are replicating the finest cloths of the past using what they have at their disposal, namely recycling fabrics from plastics. Throughout, the colourful pair expertly engineer their own print variations of vividly coloured Linton tweeds and fine traditional tartans whilst inspiration comes from a warm nostalgia for M.C Escher and Stanley Kubrick. The dizzying display includes a variety of tessellating repeats, woven fabrics, tweeds tartans, chickens and ducks which prompt the viewer to ask the age-old question; 'Which came first, the chicken or the egg?"

"We don't believe that fashion should be taken too seriously," say Agi&Sam in regular unison but despite their smile inducing designs this is a collection that should be taken seriously. Always aiming to be revolutionary as well as humorous in their approach to menswear, the print princes once again experimented heavily with texture and colour. Stretching the boundaries of textiles, and printing whilst pushing me to consider unexpected print combinations. The use of unexpected combinations were mirrored in their studio playlist. In a workspace that Simon Chilvers' has compared to the bedroom of a frustrated teenager, the boys were listening to an eclectic noise that bounced from Wacka Flocka Flame to Mercury Prize winners Alt-J, 2 Pac to Fleetwood Mac, Neil Young to Craig David. Lend me your ears and prepare to jump in to their disorientating world...

Waka Flocka Flame - No Hands 
The Knife - Silent Shout 
Frank Ocean - Pyramids 
Alt-J - Tesselate 
Kindness - That's Alright 
2Pac - 2 of Amerikaz Most Wanted 
Kavinsky - Nightcall 
Fleetwood Mac - Dreams 
Royksopp - What Else is There (Trentemoller Remix) 
Modrat - A New Error 
Wayne Wonder - No Letting Go 
Neil Young - Alabama 
Craig David - Can't Be Messin' Around 
Lil Wayne - Lollipop 
M83 - Midnight City (Show Music) 
Jeff Buckley - Last Goodbye
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