

- I definitely like the chap above courtesy of - who else? - the Sartorialist
Oh, and happy belated birthday Thomas. That's one fine moustache you're growing there.
Oh EJ...I definitely had that Monday morning feeling which continued to stalk me the rest of the day, curses! As EJ and I tinker with the site I keep asking myself why can't I do this more, and work less? I wish. Anyway, back to reality. I have to say that I like Chris Martin's jacket, he certainly has a lot going on but it all worked and it's nice to see him in a bit of colour! The rest of the band (can anyone name another member of Coldplay...anyone?) weren't as fortunate in the styling stakes though.
It might be the Great British weather but I am quite bored of summer right now. All thoughts are on Autumn winter so the getkempt post was most welcome. Last week I was however tempted by a pair of shorts in bstore but realised that I will never get the chance to wear them unless I leave this island!
Congratulations to The Sunday Best's moustache...I wish I could grow one and not look absolutely ridiculous...maybe one day.
One of my christmas presents was a pair of leather gloves, all I need is a similar hat and I will try and replicate the above look. Obviously the backdrop of Paris and pretty lady as accessory can helps create the stylish scene.
This is a style blog though and in my childish excitement I can stray from the point of this post 'What is the point of this post' I hear you ask, well, the film is a cinemagraphic demonstration of how a man should dress...how I want to dress! One of the most visually striking aspects of the film for me was the perfected shirt length. It is always well talked about when discussing men's style and everyone has their own opinon (I like the Sartorialist's take on the matter), mine is that Jean-Louis Trintignant demonstrates how it should be done. Jean-Louis Trintignant is an actor as at home in spaghetti westerns (The Big Silence) as in human dramas (Three Colours: Red). However, he was never more beautiful nor more brilliant than as Clerici.
As it is Mothers Day today you should use the above example of what to wear whilst walking back home with the gift of flowers. Just look at the amouint of cuff on show, the perfect cut of the suit and the commendable choice in headwear. Why on earth don't people dress like this anymore?
I urge you to go and see this film which is almost Wellsian in its baroque flamboyance, all luxurious lighting and colours, sweeping camera movements and ornate design. The emotionally expressive lighting of cinematographer Vittorio Storaro has attracted much comment and acclaim. Storaro – who would go on to win Academy Awards for Apocalypse Now, Reds and The Last Emperor – describes thus his approach to the scenes set in Fascist Rome: 'I wanted to show through light the idea of claustrophobia, of being caged. I used the idea that light could never reach the shadows, so that there was a distinct separation between the shadows and the light.' . The below clip is one of my favourite parts of the film and beautifully demonstrates why you should see this film.
but hopefully you'll be back to your old self in no time. Something like this was it?